ALCStudies Journal

Advanced Labor & Cultural Studies Web Site & Blog

Category Archives: Live Performance

The Machine Stops

Readings from E.M. Forster’s The Machine Stops (1909). Created for the ALCStudies project on Technology in Literature & Popular Culture.

Open to the Good

An update from one of our associates in Latin America. – DA

The C-virus put the hammer down like Thor in the Vikings series for the time-being on plans to go RV-camping in the U.S.. So we are are focusing on plans closer to home. Very close. Not only are flights out restricted, I’m told we are restricted from even going outside our apartment, pending a three-hundred dollar fine and arrest. So we do exercises and yoga, drink wine, fix good food, read and watch Netflix. Sex gets a pretty good thumbs-up, too.

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Chana Masala, in Case You Were Wondering (And we have to replace those place-mats.)

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Sincere experts and virtue-signaling harpies on the web give us advice to focus on the positive – exhorting us to breathe, eat and improve ourselves to make a gift of our enforced isolation. At the same time social media has given rise to a cottage industry emphasizing the current mayhem of the world and pushing our fear buttons. This is nothing new, as evidenced by Old Testament fixations on blood and revenge, prognostications revealed to the Greeks in the intestines of animals, murder and alarm in the penny press of Dickens’ day and the Hearst papers’ yellow journalism. Human beings love a good disaster, real or presumed. It makes us feel virtuous if we survive.

I refuse to be guilted or shamed for acknowledging what is in front of my face based on fifty-plus years of experience. And honestly, the hype and continuous doom-saying vying with those preaching unthinking optimism in these latter days grows a trifle boring. A therapist I visited a few years back when I was in the midst of darkness gave me advice I cherish every day: try to remain open to the good. So here goes.

After a few false starts I found a gig teaching conversational English for non-native speakers. Teaching draws on my background in education, theater and writing. More than that, I enjoy it. It allows me to get paid for bullshitting part of the time.1 One of my students is a young man about my son’s age. I’ll call him Juan. Juan runs his own IT consulting business and is good at what he does. His customers include banks, businesses and government agencies. Juan often texts me saying he’s running a few minutes behind, which is pretty de rigueur  for business owners. We’ve developed a good rapport that includes being flexible on time.

I bring in exercises Juan and I work on covering diction, pronunciation and fluency. English is a weird amalgam of Latin and German with a few other languages thrown in. Juan, who has a Ph.D. from a business school in Italy, often has specific questions on expressions and idioms. We have fun tracking down word origins and meanings. His questions often prompt me to draw on outside resources on the web and elsewhere. Apparently there was a reason for my reading Partridges Etymological Dictionary twenty years ago. I also get to practice diagramming sentences, something I actually enjoyed in school.

English may be lingua franca for business (for now), but English is not simply English. Juan conducts conference calls with customers in the U.S., Canada, the UK and India, as well as Brazil and Argentina. His English reading and writing skills for emails and business documents are excellent. But sorting out what is being said and expressing ideas verbally over the phone, with different accents and often without the benefit of facial expressions and body language, can be a challenge. So we focus on his enunciation as well as listening skills.

Juan surprised me early on by telling me he was interested in children’s stories rather than simply business English and technical jargon. He wants to help his two young daughters as well as help his business. So we’ve added Dr. Suess and Beatrix Potter into the mix. My mother read books by these authors and others to my brothers and sister and me when I was a kid. I, in turn, read them to my two children. Reading aloud confers a special bond. Wordplay and rhyme allow the gift of quality time and interaction between parents and kids.2 I’ve talked to my mother about this and thanked her. I’m honored to pass the gift on.

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1Thanks to Andrew Hearle at Stagemilk for encouragement and ideas.

2See Walter Ong’s, Orality & Literacy, as well as Alberto Manguel’s A History of Reading.

Urban Expeditions

Hola Snake

Hola, Gringo. You look tired

I shopped for clothes in Quito. It exhausted me worse than my jungle trip.

An urban expedition can be dangerous. Did you see any wild animals?

Taxis and cars that don’t stop and herds of shoppers stampeding for sales.

There are benefits to living in your own skin. If I get tired of a style, I shed it and grow another.

Like some people shed their personalities.

Humans are a remarkably transitory species.

Like the weather is Quito.

Whether or not I shed my skin, a snake is a snake. It is my nature.

Like some people.

You insult me. I have a friend in Quito. A lounge lizard.

I danced salsa at a club the other night. Sixty dollars for one mojito each for me and the lady I was with. But she was muy bonita, and there was live music and the salsa muy caliente. Maybe he was there.

He sings numbers like Snakey Breaky Heart, Don’t Come Slithering Around My Door and Reptile Love, among others.

Muy picante. Totally worth it.

Humans have strange habits. I’ve heard of this Tinder. Why would you want to set yourselves on fire before mating?

It’s an expression.

Si. I forgot Humans are hot blooded. Like your chica dancing queen?

She is a beautiful middle-aged lady – the energizer bunny of salsa.

Horizontal or vertical?

A gentleman does not tell.

But you are a gringo, not a gentleman.

I am trying to set a good example.

Better than trying to set someone on fire to show them you care.

Human love can be an incendiary.

So roast a marshmallow or an agouti. All that drama.

Si. Like an Ecuadorian telenovela: all those tears and mascara running. It makes the women look like lemurs.

And the men with heaving nostrils. Snakes are much more sensible.

Well, you are cold blooded.

That doesn’t mean we don’t have feelings. We’re just more straightforward when we entwine.

If you don’t mind my saying, you are sentimental for a reptile.

Mama Anaconda asked about you. She would like to wrap her coils around you.

Everybody needs a hug.

What a way to go.

I think Mama Anaconda needs to find someone her own species.

I will give her your suggestion.

Maybe she can try Tinder. I can help her write her profile: ‘Mujer serpiente seeks gentleman snake in the grass. Bring a fire extinguisher.’ – CDL

 

Woody & Marjorie 9-5 and 9-6 Show Dates Canceled

We have canceled the Woody & Marjorie:  Hard Traveling show dates scheduled September 5th and 6th at the Omni William Penn in Pittsburgh.

Woody & Marjorie: Hard Traveling

On Labor Day weekend 2015, the Omni William Penn hotel in Pittsburgh presents a celebration of Woody Guthrie’s songs and stories to honor Southwestern Pennsylvania workers past and present. ‘Woody & Marjorie: Hard Traveling’, combines live music and readings centered around the lives of Woody Guthrie and his wife Marjorie Mazia.Woody Guthrie was an iconic musician of the 1930s and 40s. Marjorie Mazia danced with the Martha Graham Company in the 1940s. Guthrie and Mazia had a passionate relationship marked by creativity and true devotion, despite his restless wanderings and the losses and struggles they faced together. The show pays tribute to the uniqueness and continued relevance of his work in helping us find the individual and collective stories that connect more than divide us.
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‘Woody & Marjorie: Hard Traveling’ is presented in partnership with Advanced Labor & Cultural Studies as part of a special Omni Labor Day package that includes Saturday dinner or Sunday brunch in the hotel’s Terrace Room. Recommended for ages 16 and up. For more information about the show please call 412-353-3756. For event information and reservations, please contact the Omni William Penn at 412-553-5235.

‘Thin Man Comes to Pittsburgh’ 2014 LR Performance Photos

Please see a slideshow from our 11/22/2014 and 11/23/2014 live radio performances of The Thin Man Comes to  Pittsburgh at the Omni William Penn. Photo credits: Jessica, with cast photo by Randall Quesnelle
 

‘Thin Man Comes to Pittsburgh’ Live Radio 2014 Playbill

Please see the digitized playbill for our upcoming November 22nd and 23rd The Thin Man Comes to Pittsburgh weekend performance at the Omni. Show tickets are still available both days. Read more of this post

11/22/2014 ‘Thin Man Comes to Pittsburgh’ Package Sold Out ; Show Tickets Available

The Omni William Penn sold out dinner packages for our upcoming 2014 performance of The Thin Man Comes to Pittsburgh for Saturday 11/22 and Sunday 11/23. Show tickets are still available. Please call 412-553-5000 or e-mail jkaiser@omnnihotels.com. Also, the show was featured on 10/24 in the Post Gazette’s Radio Notes.

'The Thin Man Comes to Pittsburgh' 2014 Poster

‘The Thin Man Comes to Pittsburgh’ 2014 Poster

Interview in the PDCDC Newsletter

August interview with Taia Pandolfi in the PDCDC (Pittsburgh Downtown Community Development Corporation) Downtowner on collaborating with creatives and following my bliss in the ‘Burgh.  And see a related essay on live vs. virtual performance by Stefany Anne Golberg in the Smart Set. — CDL

‘Virtually Yours’ 8-16 Premiere

We had about twenty-five people for our Virtually Yours live read Saturday 8-16 at the Cabaret at Theater Square. Not bad for a post-10pm premiere of a new play in ‘Burgh. Thanks to everyone who attended, including those who stuck around for the performance following Ring of Fire or joined us after hearing Yanni at the Benedum.

Randy Kirk, Bob Bollman and Kevin Buck at the Cabaret made us feel at home. Randy, the Cabaret manager, made time around a tight schedule for us to rehearse in the space. Bob set up three hanging mics for us the night of the show while Kevin covered the house and cued us to go on.

Caitlin, Mark, Chris and Jeannine did a wonderful job turning the script that I was revising until Thursday night into entertainment for our audience to enjoy. Thanks also to Taia P. and Georgia at the PDCDC for promoting the show in their newsletter. — Chuck

 'Virtually Yours' at the Cabaret : Chris Leon, Caitlin Northup, Mark Tierno, Ms. Swanheart

‘Virtually Yours’ at the Cabaret: Chris Leone, Caitlin Northup, Mark Tierno, Jeannine Lanigan

 

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