October 9, 2014
Posted by on
August interview with Taia Pandolfi in the PDCDC (Pittsburgh Downtown Community Development Corporation) Downtowner on collaborating with creatives and following my bliss in the ‘Burgh. And see a related essay on live vs. virtual performance by Stefany Anne Golberg in the Smart Set. — CDL
August 19, 2014
Posted by on
We had about twenty-five people for our Virtually Yours live read Saturday 8-16 at the Cabaret at Theater Square. Not bad for a post-10pm premiere of a new play in ‘Burgh. Thanks to everyone who attended, including those who stuck around for the performance following Ring of Fire or joined us after hearing Yanni at the Benedum.
Randy Kirk, Bob Bollman and Kevin Buck at the Cabaret made us feel at home. Randy, the Cabaret manager, made time around a tight schedule for us to rehearse in the space. Bob set up three hanging mics for us the night of the show while Kevin covered the house and cued us to go on.
Caitlin, Mark, Chris and Jeannine did a wonderful job turning the script that I was revising until Thursday night into entertainment for our audience to enjoy. Thanks also to Taia P. and Georgia at the PDCDC for promoting the show in their newsletter. — Chuck
‘Virtually Yours’ at the Cabaret: Chris Leone, Caitlin Northup, Mark Tierno, Jeannine Lanigan
June 11, 2014
Posted by on
We started Virtually Yours rehearsal May 31st with a partial read-through. I had only completed typing the first 103 pages of the script. I have worked with the cast before. Chris, Mark, Caitlin and Ms. Swanheart did great job beginning to turn words on the page into characters and dialogue.
The following Monday I ran over to Penn Avenue at lunchtime to meet Randy Kirk at the Pittsburgh Cultural Trust, who booked us for a live read at the Cabaret at Theater Square August 2nd. No selfies, but I snapped a couple of photos of the stage as it is set up for CLO’s Ring of Fire, and as it will be when we perform.
Using the photos, I made quick sketches of the stage with characters in certain scenes. In addition, I started creating rough drafts of images for posters and announcements.
These are not fine art by any stretch. But they help me imagine how the show will look and feel. As a director (and producer, and writer) embarked on a second creative career I sometimes feel like I’m making things up as I go along. But the sketches seemed a useful exercise while I’m still revising the script and when we’ll have limited time to rehearse in the Cabaret space. And it’s a fun and different way to use my brain. You’ll see a selfie of me in one of the slideshow drawings. I’m the guy with the beard and mustache. ; – ) — CDL