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Dickens, Thought Leader

Habits of Highly Successful Sociopaths

Charles Dickens, Thought Leader for Our Times

From Syria to to Russia to the U.K. and good ol’ U.S., it seems ’tis the season this year for giving free reign worldwide to human socio-pathology. Scrooge might feel right at home today in his unreformed state. Dickens himself had his shadow side1, one that exists in all of us. Perhaps we should view A Christmas Carol less as propaganda illustrating a heartwarming epiphany and inviting smarmy, unrealistic expectations of human behavior, than perhaps a guide to contemporary life. We Americans love self-help books, DVDs and advice web sites. Herewith are suggested affirmations staying with the spirit of the times and finding your inner sociopath. Use them for making your own list and checking it twice, if you are so inclined. N.B.:  This is a parody. If you don’t get the joke, ask for a sense of humor for Christmas, Kwanzaa, Hanukkah, or Saturnalia. If you celebrate Festivus, you presumably already have one. – DA

  • Start the day with a plan
    • Practice Vulcan mind control
    • Make faces in a mirror like your favorite business executive or recently-elected political figure of your choice
    • When tempted to give money or sympathize with the poor and homeless, hit your head with a hammer. Better yet, hit the poor and homeless with a hammer. It’s their fault for making you feel that way.
    • If you must give, give worthless items to charity that can be written off for exorbitant amounts (e.g. – dysfunctional computer systems (e.g., ‘the cloud’), worthless real estate, obsolete airplanes, ). Do this in an ostentatious  manner while humblebragging
  • Never doubt yourself.
  • Be the best you can be
    • Update your Facebook page. Lie. Take every comment personally.
    • Update your Ok (Stupid) Cupid profile. Lie.
    • Stay up till four in the morning monitoring social media feeds and responding in an obsessively petty manner – despite the fact that you will soon be responsible for the safety of the free world and need your rest.
    • Add or subtract four inches to or from a part of your anatomy of your choice. For women, this could be the bust size. For guys — you get the idea.
  • Friendship is for losers, but it’s helpful to fake it. A few tips:
    • People will put up with a lot to be able to say they have friends
    • Everyone is lonely. It’s a fact of life
    • Saying you have friends at work is pathetic and delusional or a lie
  • Remember the sky’s the limit on what you can get away with.
    • People’s capacity for wishful thinking and self-delusion is unlimited.
    • Recent studies say there’s no free will. Everything we do is determined by genes and neurochemistry. Therefore —
    • It only counts if you’re caught — and then you couldn’t help it
    • If you insist on believing in God or some other Higher Power, you might check out predestination. Start with Martin Luther, world’s worst Catholic.

1Also see Carl Jung on what the shadow knows.

Get the Picture?

I used to regard illustrated or graphic novels as literature for the illiterate; comic books as condescending to the callow.

Perhaps it’s because we live in a post-literature culture1, but I’ve grown to appreciate graphic novels as a medium unto themselves for telling a story and connecting to an audience. A recent article in the City Journal quotes William Eisner, creator of Sheena, Queen of the Jungle and the Spirit in the 1940s:

“The comic strip… is no longer a comic strip but, in reality, an illustrated novel. It is new and raw in form just now, but material for limitless intelligent development. And eventually and inevitably it will be a legitimate medium for the best of writers and artists.”

Illustrators have contributed their craft to storytelling since paleolithic cave paintings. Perhaps these projected early human fears and desires in an uncertain world; perhaps they were just early interior decoration. ; – )

Cave painting from Lascaux, France, ca 35,000-30,000 BCE

During the Middle Ages images in gothic cathedrals emphasized to uneducated peasants who was in charge.

Chartres Cathedral

Chartres Cathedral

 In the 19th century Dickens’ collaboration with various artists made the characters in his serialized novels come alive.

Dickens’ Dream, Robert William Buss

Ironically, illustration as a means of storytelling came into its own for a mass audience just as print culture was evolving to electronic culture with radio and film. Newspapers in the late 19th and early 20th centuries carried intricate, full-color surreal extravaganzas like Winsor McCay’s Little Nemo to a mass audience.

George Herriman’s Krazy Kat , appearing in 1913, anticipated the surrealist and Dadaist movements.

In the 1950s, the age of television and the gray flannel suit. Walt Kelly and his compatriots subversively explored parody and satire in the midst of (supposed) conformity.

As the cellphone and cable explosion began in the 1980s, Sam Watterson’s brilliant Calvin & Hobbes captured the truth of boyhood in the way perhaps no one else has since Mark Twain.

Bill Watterson’s Incomparable Calvin & Hobbes will always remind me of of my son. I miss it greatly. (Image copyright Bill Watterson.)

Alas, the exigencies of the newspaper industry spelled at end to the strip. Watterson and Calvin packed up their marbles (and Hobbes) and went home.

Lately, as the publishing industry has struggled and tried to capture our attention with e-books, the graphic novel has ascended to respectability.

Graphic novels lend themselves to our fragmented attention span and reading habits in the age of tweets and text messages. As life is increasingly conducted online, they create a bounded world of coherence and context in the midst of disparate words and images that bombard us daily. In an age preoccupied by our attempts to control the world through science and technology, many graphic novels and comic books dance on the edge of or immerse themselves metaphysics and fantasy. Several of these, such as the X-Men and Superman have been turned into film with varying degrees of success. A skilled illustrator and story teller creates a secondary world2 that transcends the rules of the world we know to provide a more satisfying (or at least distracting) alternate universe. Many of these, such as the Watchmen and Neil Gaiman’s the Sandman, explore adult themes and existential experience, turning the mythology into exotic reinterpretations that are, like our lives, dark and threatening, absurd, exuberant, whimsical or just plain funny.  — Chuck Lanigan

Related:

1By this I mean not illiterate, but one in which the ability to read (and write) sustained, thoughtful discourse is made irrelevant in a society overrun by soundbites and Twitter feeds.

2See Tolkien’s On Fairy Stories for a discussion on secondary worlds.

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