February 27, 2017
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Native-American Flag (At the time meaning white Anglo-Saxons arriving from Europe w/in the past 100 years) ca. 1850
A few weeks ago I attended an art show opening of Oneness at the Irma Freeman Center in Pittsburgh. Among other work, the show featured Maranie Staab’s photographs of refugees from Jordan and Iraq. As our country debates whether and how to permit refugees from various lands to live and work in a nation founded by immigrants, it’s worthwhile to consider the great diaspora from another country. The Irish Potato Famine (An Gorta Mor) of 1845-1850 killed an estimated one to one-and-a-half million people and sent thousands fleeing from their native land.
When the Irish immigrants arrived in America, the response — including in Pittsburgh and Pennsylvania, where the Know-Nothing Party had a stronghold — included virulent fear and prejudice against what was perceived as an alien and subversive threat. How different are the stories and faces then from the stories and faces now of those arriving from Syria and Iraq, Mexico and South America?
If you’re Irish (and everyone is on Saint Patrick’s Day) celebrate the luck of your ancestors in not dying of typhus or starvation before making it to Columbia’s fabled shore in coffin ships. Meanwhile, I am continuing to record installments of James Joyce’s The Dead. Take a listen. Hopefully, I’ll finish in time to enjoy a green beer on March 17th. — CDL
December 31, 2015
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The Dead, James Joyce’s famous story, takes place between New Year’s Eve and the Feast of the Epiphany (Twelfth Night). It was probably written in 1904. Included as part of Dubliners, it is one of my favorite short stories. I often read it around the holidays.
2015 has been a particularly hard year. I offer the following impromptu reading from the opening page this New Year’s Eve as a way perhaps of seeking comfort and reassurance (or penance) for my own uncertainty.
In 1916 the Irish experienced a national uncertainty, with roots dating to Cromwell’s occupation. 2016 marks the 100th anniversary of the Easter Uprising. The Dead, with its ghosts and melancholy, foreshadows this bloody event and the controversy over Irish independence. In Joyce’s story Molly Ivors calls Gabriel a ‘West Briton’ and asks why he doesn’t go cycling in Galway (where his wife, Greta, is from) instead of traveling to Europe:
“And why do you go to France and Belgium,” said Miss Ivors, “instead of visiting your own land?”
“Well,” said Gabriel, “it’s partly to keep in touch with the languages and partly for a change.”
“And haven’t you your own language to keep in touch with—Irish?” asked Miss Ivors.
John Huston directed a film adaptation written by Tony Huston and co-staring Anjelica in 1987.